Fraperspective: A Holistic Approach to Spatial Representation in Ancient Iranian and Modern Western Architecture

Abstract

Perspective, as a crucial visual tool in architecture, significantly influences spatial representation and the communication of artistic and spatial concepts. This article conducts a comparative analysis of perspective in Iranian architecture vis-à-vis Western approaches, particularly linear perspective and spatial Cubism, while introducing Fraperspective (holistic perspective) as a novel method. The study highlights that traditional perspective techniques have inherent limitations in capturing spatial entirety. In contrast, Fraperspective, employing expansive viewpoints and multiple vanishing points, offers a more comprehensive portrayal of architectural space. Emphasizing its relevance to Iranian ontology and contemporary design demands, this approach innovatively bridges Eastern artistic traditions with Western influences, integrating insights from Iranian miniature art and Western Cubism.